PREHISTORIC & HUMAN EVOLUTION

Visual Recreation for Documentary

Profile

What I do

I create cinematic, evidence-informed visual recreations of prehistory, human evolution and extinct worlds for documentary and science communication.

My work focuses on visualizing worlds, processes and species that cannot be filmed directly, combining research, documentary clarity and cinematic sensibility, using a contemporary AI-assisted visual pipeline integrated into traditional documentary workflows.

I primarily support development, pitching and preproduction, and can also contribute to immersive sequences within finished productions.

Background

Studies in History, Geography and Art History.

Documentary-first narrative approach.

Experience with historical worldbuilding and visual development.

Featured project

HUMANS

Short visual documentary — human evolution

HUMANS explores the journey from Australopithecus afarensis to Homo sapiens, combining research-led recreation, art direction and documentary language to deliver a concise and emotionally resonant view of our origins, aligned with current scientific consensus.

▶ LINK Project

🏆 Recognition Chroma Awards Finalist

humans_01 (Cover)

HUMANS

Key frames

humans_02

humans_03

humans_04 (Wide)

HUMANS

Key frames

humans_05 (Portrait)

Prehistoric Worlds

Environment & Fauna

Expands beyond human evolution into prehistoric environments, material culture and extinct species. Designed to support storytelling where real footage is limited.

Rock art & daily life — cave settings, rituals, tools.

Settlements — Neolithic sites, architecture, aerial context.

Extinct fauna — nature-doc style shots, scale, texture.

pw_01 (Landscape)

Prehistoric Worlds

Key frames

pw_02

pw_03

Methodology

How I work

Research — academic sources, consensus-led approach.

Visual development — mood, lighting, composition boards.

Cinematic recreation — camera language, texture, atmosphere.

Deliverables — pitching decks, previz, keyframes.

Work is created through a modern AI-assisted pipeline integrated into a broader documentary workflow. The goal is not to showcase technology, but to produce plausible, research-informed visual recreations.